under and so; even if afterwards - continually
2022
Paper, ink, metalic- and plaster sediments
Dimensions variable
under ans so; even if afterwards - continually
Appelton Box, Lisbon
Artist book
Publisher by Tacet Press, 2019
Photo: Bruno Lopes
*
Line-split extract; version no. 1
2021
Earth (rammed earth) and iron oxide
150x65cm
Of Gardens, Jyderup
Sculpture
Photo: Brian Kure
*
Line-split extract; version no. 3
2021
Earth (rammed earth), iron oxide and concrete
150x75cm
Socle du Monde Biannalen, HEART Herning Kunstmuseum & Deep Forest Art Land
Sculpture
Photo: Marianne Skraarup Jakobsen
*
Qualities of fluidity
2021
Clay and tea
Dimensions variable
Copenhagen Artweek, Til Vægs Lundtoftegade
Interactive and timebased sculpture
Photo: Marina Castagna
*
Still unknown IIII
2020
Fired and unfired clay, fermented tea by Augusta Sørensen
Dimensions variable
Of Gardens, Regstruplund, Jyderup (DK)
Interactive and timebased sculpture
Photo: Andreas Rasmussen, Augusta Sørensen, Jenny Sundby & Marianne Skraarup Jakobsen
*
eye
2020
Curated byMaša Tomšič
Various types of stoneware
Dimensions: L 130 – 170cm
In Situ, Copenhagen (DK)
Scuplture
Photo: Jenny Sundby
*
Concise Voids and Sediments
2019
Paper, Metal neadles, Vax string, Indian ink, Metalic Sediments and Plaster
Dimentions variable
SixtyEight Art Institute, Copenhagen (DK)
Artist book with objects
Photo: Jenny Sundby
*
Incriptions onto Entropy
2019
Paper, Plaster, Indian ink, Metalic Sediments
Dimentions variable
Huset for Kunst og Design, Holstebro (DK)
Sculpture
Photo: Jonas Søgaard Lauridsen
*
2022
Paper, ink, metalic- and plaster sediments
Dimensions variable
under ans so; even if afterwards - continually
Appelton Box, Lisbon
Artist book
Publisher by Tacet Press, 2019
Photo: Bruno Lopes
*
Line-split extract; version no. 1
2021
Earth (rammed earth) and iron oxide
150x65cm
Of Gardens, Jyderup
Sculpture
Photo: Brian Kure
*
Line-split extract; version no. 3
2021
Earth (rammed earth), iron oxide and concrete
150x75cm
Socle du Monde Biannalen, HEART Herning Kunstmuseum & Deep Forest Art Land
Sculpture
Photo: Marianne Skraarup Jakobsen
*
Qualities of fluidity
2021
Clay and tea
Dimensions variable
Copenhagen Artweek, Til Vægs Lundtoftegade
Interactive and timebased sculpture
Photo: Marina Castagna
*
Still unknown IIII
2020
Fired and unfired clay, fermented tea by Augusta Sørensen
Dimensions variable
Of Gardens, Regstruplund, Jyderup (DK)
Interactive and timebased sculpture
Photo: Andreas Rasmussen, Augusta Sørensen, Jenny Sundby & Marianne Skraarup Jakobsen
*
eye
2020
Curated byMaša Tomšič
Various types of stoneware
Dimensions: L 130 – 170cm
In Situ, Copenhagen (DK)
Scuplture
Photo: Jenny Sundby
*
Concise Voids and Sediments
2019
Paper, Metal neadles, Vax string, Indian ink, Metalic Sediments and Plaster
Dimentions variable
SixtyEight Art Institute, Copenhagen (DK)
Artist book with objects
Photo: Jenny Sundby
*
Incriptions onto Entropy
2019
Paper, Plaster, Indian ink, Metalic Sediments
Dimentions variable
Huset for Kunst og Design, Holstebro (DK)
Sculpture
Photo: Jonas Søgaard Lauridsen
*
Lift, then
2018
Indian ink, metal, plaster, nylon string, soap, acrylic paint, paper, water
Dimensions variable
The Geological Museum, Lisbon (PT)
Sculpture
Photo: Marco Pires
*
Still Unknown III
2018
Clay, metal, plaster, water
2,90x1,76x1,10
KOLONIEN II, Biennale sommerhuskolonien ABC, Rødovre, Copenhagen (DK)
Timebased sculpture
Photo: Peter Boel
*
Unless this; afterwards - whenever
2018
Indian ink, metal, plaster, nylon string, soap, acrylic paint, paper, water
Dimensions variable
The Danish Art Workshops (DK)
Sculpture
Photo: Peter Boel
*
Absorbing Kubler (Plain)
2017
Indian ink, cotton string, soap, acrylic paint on paper
Dimensions variable
HANGAR, Lisbon (PT)
Sculpture
Photo: Marianne Skraarup Jakobsen
*
Falling Chair, falling P, Worn through Earth, surprised by containing a Country, House with another House inside. Coffee and Tears, mixed. (Existing as water. Existing of water, in water and for water. (He)), Wall until now. (Fortress or Stadium)
2017
Indian ink, water, fabriano paper, rust, unknown liquids, terracotta, nylon string, cotton string, drying rack, toilet seat, plastic
Dimensions variable
Worn through Rain, but fuck Concrete. P inside me
Den Nordiske Ambassade, Copenhagen (DK)
Drawing
Photo: Marianne Skraarup Jakobsen
*
Still Unknown II
2017
Earthware and stoneware
142x71cm - 57x74cm
European Ceramic Work Centre, Oisterweijk (NL)
Sculpture
Photo: Marianne Skraarup Jakobsen
*
To gravitate, To evaporate, To cry, To unify, To adapt, To petrify
2016
Ash from wood, water and cooking oil on paper
100x150cm
Water
Sótão, Lisbon (PT)
Drawing
Photo: Henrique Pavão
*
2018
Indian ink, metal, plaster, nylon string, soap, acrylic paint, paper, water
Dimensions variable
The Geological Museum, Lisbon (PT)
Sculpture
Photo: Marco Pires
*
Still Unknown III
2018
Clay, metal, plaster, water
2,90x1,76x1,10
KOLONIEN II, Biennale sommerhuskolonien ABC, Rødovre, Copenhagen (DK)
Timebased sculpture
Photo: Peter Boel
*
Unless this; afterwards - whenever
2018
Indian ink, metal, plaster, nylon string, soap, acrylic paint, paper, water
Dimensions variable
The Danish Art Workshops (DK)
Sculpture
Photo: Peter Boel
*
Absorbing Kubler (Plain)
2017
Indian ink, cotton string, soap, acrylic paint on paper
Dimensions variable
HANGAR, Lisbon (PT)
Sculpture
Photo: Marianne Skraarup Jakobsen
*
Falling Chair, falling P, Worn through Earth, surprised by containing a Country, House with another House inside. Coffee and Tears, mixed. (Existing as water. Existing of water, in water and for water. (He)), Wall until now. (Fortress or Stadium)
2017
Indian ink, water, fabriano paper, rust, unknown liquids, terracotta, nylon string, cotton string, drying rack, toilet seat, plastic
Dimensions variable
Worn through Rain, but fuck Concrete. P inside me
Den Nordiske Ambassade, Copenhagen (DK)
Drawing
Photo: Marianne Skraarup Jakobsen
*
Still Unknown II
2017
Earthware and stoneware
142x71cm - 57x74cm
European Ceramic Work Centre, Oisterweijk (NL)
Sculpture
Photo: Marianne Skraarup Jakobsen
*
To gravitate, To evaporate, To cry, To unify, To adapt, To petrify
2016
Ash from wood, water and cooking oil on paper
100x150cm
Water
Sótão, Lisbon (PT)
Drawing
Photo: Henrique Pavão
*
Underwater Recordings
2016
Indian ink on paper
24x59cm, 21x29cm, 14.8x21cm
Water
Sótão, Lisbon (PT)
Drawing
Photo: Henrique Pavão
*
Travelling towards an unknown construction
2015
Unfired clay, indian ink, wooden sticks, spatial traces
415x550x400cm
Structures, melting, falling, frozen
KHM Gallery Malmö (SE)
Sculpture
Photo: Henrique Pavão & Marianne Skaarup Jakobsen
*
Borders of architecture, frozen in skin and time #1, #2, #3, #4, #5, #6, #7
2014-2015
Fiberglas, dismantled wooden shelf
Dimensions variable
Structures, melting, falling, frozen
KHM Gallery Malmö (SE)
Sculpture
Photo: Henrique Pavão & Marianne Skaarup Jakobsen
*
From a search for a city to a place where objects are falling through time II
2012
Printed scans, pottery, porcelain cups, clay, paint
400x600x200cm
Bachelor Degree Show
KHM Gallery, Malmö (SE)
Sculpture
Photo: Marianne Skraarup Jakobsen
*INFO*
2016
Indian ink on paper
24x59cm, 21x29cm, 14.8x21cm
Water
Sótão, Lisbon (PT)
Drawing
Photo: Henrique Pavão
*
Travelling towards an unknown construction
2015
Unfired clay, indian ink, wooden sticks, spatial traces
415x550x400cm
Structures, melting, falling, frozen
KHM Gallery Malmö (SE)
Sculpture
Photo: Henrique Pavão & Marianne Skaarup Jakobsen
*
Borders of architecture, frozen in skin and time #1, #2, #3, #4, #5, #6, #7
2014-2015
Fiberglas, dismantled wooden shelf
Dimensions variable
Structures, melting, falling, frozen
KHM Gallery Malmö (SE)
Sculpture
Photo: Henrique Pavão & Marianne Skaarup Jakobsen
*
From a search for a city to a place where objects are falling through time II
2012
Printed scans, pottery, porcelain cups, clay, paint
400x600x200cm
Bachelor Degree Show
KHM Gallery, Malmö (SE)
Sculpture
Photo: Marianne Skraarup Jakobsen
*INFO*